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Tag: Werner’s Nomenclature of Colours

by Barbara Colle November 10, 2022

Eyes of the largest Flesh Fly

chamberofcolours

"'Stone of the Grand Lake' (...), with a color ran

"'Stone of the Grand Lake' (...), with a color range from white through pale blue to blue-black, their surfaces textures in netlike relief, are hauled out of the lake. The most have desirable have tortuous, rugged contours, and abundant hollows.(...)"

In 2014, Uta found two stones at the shore of a lake in the south of France – the lake that had swolled a whole village, had the most astonishing blue like the wings of blue jay.

The two stones where blinking in a opal-white crystal tone, wanting to be picked and photographed. These two where the first ones Uta picked up to be incoparated into artworks for my series 'Ishi – stone/will' & 'Turmalin', 2016.

Special offer to celebrate Uta's 10-year anniversary of a much longer stone-friendship:

4 x Turmalin/Splitter & 5 x ISHI/Splitter (2017)
unique collages made of photopapes mounted on cardboard
24x30cm, framed

Each 175,-Euros + shipping
DM me or send an email.
First comes first!

Text from: Tu Wan's Stone Catalogue of Cloudy Forest, Edward H. Schafer

@chamber__of__colours on Tour in this beautiful sp

@chamber__of__colours on Tour in this beautiful spring light: chasing the blurry morning light of the unveiling sun and her evening fire @kubaresidency – and meeting her last golden rays in front of @kinointernational in Berlin. Go outside and check yourself: The grey is never only grey – I learned first hand from @barbara__colle_.

'Purple is gay and bright whenever the rays of the

'Purple is gay and bright whenever the rays of the sun are shady.'

(Aristotle, On Colour)

Photo 1: Uta framing her Hekate, analogue c-print 50x60cm
Photo 2: Sasso Stone small edition print, silver mauve on black
Photo 3: Grapes in our garden
Photo 4: daily Ouroboros
Photo 5: detail of our Circling Stone book

“Life is a full circle, widening until it joins

“Life is a full circle, widening until it joins the circle motions of the infinite.”

Anais Nin, The Diary of Anais Nin Volume VI (1955–1966)

about the light-dark colour contrast

'Mary Magdalena brushes her orange hair.' Derek J

'Mary Magdalena brushes her orange hair.'

Derek Jarman, Chroma (1994) from his chapter 'Orange Tip'

Photo by TONJASCHJA ADLER 🧡🧡🧡 @tonjashja

“In the darkness, two shadows, reaching through

“In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”

Madeline Miller, The Song of Achilles, 2011.

about the light-dark colour contrast.

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